Ear Hustle is co-hosted by Nigel Poor, a visual artist who began working with incarcerated collaborators at San Quentin, and Earlonne Woods, who served over two decades there before a 2018 commutation. Most episodes are narrative documentaries assembled from tape recorded inside California prisons, primarily San Quentin State Prison and, more recently, the California Institution for Women. Recurring subject matter includes death row cases and death penalty history, the bureaucratic hurdles to maintaining family contact across prisons, gang-affiliation classification rules, race-based housing and lockdown practices, and what happens to non-citizens facing ICE detention and deportation after finishing their sentences. A recurring "Revisiting" format brings back archival episodes with a framing conversation, often involving managing producer Shubnum Khan and co-host Bruce Reyes-Chow, that discusses what happened to the story's subjects since and how the piece was produced. "Dear Ear Hustle" episodes read listener letters responding to prior stories, and the show has also released live recordings, including anniversary shows, alongside the New York-set spinoff series "The Loop." Episodes reference San Quentin's institutional review process, including Lieutenant Sam Robinson, who signs off on releases before they air. The show also draws on music and art produced inside prison and on inside producers who train as audio journalists over time. Listeners interested in criminal justice reporting, prison reform, or personal accounts of incarceration and reentry are the core audience, alongside people with incarcerated family members. The tone favors close, specific personal narrative over policy debate, with systemic issues emerging through individual stories rather than direct advocacy.