Horror talk with strange-case static.
Frightday is a horror-centered show where movie reviews sit beside conspiracies, UAP stories, prophecy claims, and odd cultural detours. The rhythm is loose and quick: Byron, Kelly, and others joke, correct, wander, and then snap back to the case or film at hand.
PRESS PLAY
Frightday is a horror-film show with a wider appetite for the unsettling. Its center of gravity is genre cinema, but the conversation keeps opening doors into conspiracies, UAP reports, prophecy claims, criminal justice, fandom arguments, and the odd ways people process fear. Byron is positioned as the host, setting up episodes with dramatic hooks before the room loosens into jokes, corrections, and side trails. Kelly appears as a frequent on-mic counterpart, and the pairing gives the show much of its momentum. The pace is quick. A thought about Sam Raimi can become a run through Evil Dead, Spider-Man, James Wan, Malignant, Aquaman, and superhero fatigue before circling back to the movie under review. That sprawl is part of the appeal. Frightday sounds like people who care enough about horror to argue over omitted Nick Cage characters, dummy movies, Taxi Driver, and whether a combination lock changes numbers in Leprechaun. The film coverage is affectionate but not sleepy. It notices small craft details, release context, casting, continuity, and the texture of specific subgenres, from cabin horror to body-cam found footage to seasonal slasher nostalgia. The stranger episodes widen the frame. Sarah Gamm’s appearance brings UAP analysis, intuition, skepticism, and the tension between scientific habits and extraordinary claims into a longer, more reflective interview format. The Zodiac Convergence material moves through political history, Epstein-related discussion, public records, and heated online reaction with more caution than swagger. The 9/11 prophecy episode gestures toward grief, pattern-seeking, late-night radio, internet rumor, and the appeal of alleged premonition after catastrophe. Even there, the show keeps its conversational looseness. It can joke with a prop on a microphone, then pivot into darker material without pretending the contrast is tidy. That makes Frightday feel unusually human for a show working in horror and high strangeness. It is not a sterile film class or a shock-first fright feed. It is a fast, personal, skeptical, occasionally chaotic horror desk where the weird thing gets taken seriously enough to examine and lightly enough to survive.
Made for: Frightday is for horror fans who like their movie criticism conversational, skeptical, and a little unruly. It also suits curious listeners drawn to UAP stories, conspiracy culture, cryptic history, and genre interviews.
What sets it apart: The show stands out by pairing horror-film review habits with high-strangeness research and loose duo banter. It can scrutinize a Leprechaun continuity detail, interview Sarah Gamm, and argue over cinematic madness without changing its basic texture.
From their compound tucked deep in the mountains of Montana, each week the Frightday crew investigates chilling incidents of high strangeness, human wickedness, peculiar cryptids, & conspiracies...from a rational perspective. The subject is then paired with a review of a new release genre film.If it bleeds, hacks, stabs, summons, sacrifices, abducts, or bites...it is Frightday.
Based on 6 episodes we listened to · September 2026
Frightday connects attentive horror-film criticism with skeptical, conversational examinations of paranormal claims and historical mysteries.
Frightday treats horror movies as objects to inspect, argue over, and occasionally tease apart scene by scene. Byron and Kelly move from close commentary on Leprechaun's continuity and production context to a review of Sam Raimi's Send Help, where filmography and character…
A Leprechaun lock combination gets scrutiny; so do UAP sightings, if that's your kind of rabbit hole.
Press play if you want
Short reviews from the PlayNext desk, based on the episodes we processed.
A horror bracket opens with motive, missing names, and loose courtroom logic.
Fright Day reshapes its yearly bracket competition into a loose courtroom argument over which cinematic characters count as the most mad, setting 32 contenders against each other until one is left.
A scrappy Raimi conversation that turns survival comedy into a sharp look at power.
Fright Day uses Sam Raimi's Send Help as a starting point for a talk about authority, survival, and the odd fact that people can stay in charge simply because no one has pulled the org chart out from under them.
A conversation that balances intuition, checking, and kindness.
The episode gives Sarah Gamm a careful, roomy setup, and that patience helps the conversation open out from rural Missouri and a big sky into bird migration, weather, wind at different altitudes, balloons, and parallax.
A St. Patrick's Day movie autopsy where leprechaun folklore, Lucasfilm trivia, and one overexamined combination lock share the table.
Friday Presents Cinema Autopsy uses a leprechaun film as a St. Patrick's Day route into folklore, production context, continuity hunting, and one rough pogo-stick death.
A sprawling inquiry finds its tension in the gap between official accounts and stubborn questions.
Frightday returns to a deliberately winding trail, with Byron and Kelly using a pop quiz to pick up the thread before turning back to the record around William Barr.
A horror bracket takes on a court-case shape, with disputed omissions and film quotations feeding the chaos.
Frightday turns cinematic madness into a 32-character bracket, treating each matchup like a court case and starting with motive: the wound that first pushed a character off course.
A live Dumas Brothel investigation turns haunted rooms, quiet solo work, and a locked door into slow-burn horror.
The Dumas Brothel gives this live investigation a sturdy horror frame, with Eleanor Knott's original bed and a locked steel door serving as the episode's clearest anchors.
Indie filmmakers, festival stories, real movie talk.
Entertainment stories with the polish left off.
Criterion completism with sharp, messy charm.
Horror recaps with sharp teeth.
This episode reviews Danny Boyle's film '28 Years Later' while discussing themes like coming of age, mortality, and giraffe sleep habits.
This episode explores grief and the five stages, with a twist involving summoning a deceased loved one into a new body, set in a spooky live broadcast from Montana.
The Frightday crew conducts a live investigation at Montana's Dumas Brothel, the longest-running brothel in the United States, with guide Addison Gerstein.
The Frightday crew introduces 'Madness Madness,' a bracket competition to determine the maddest character from horror and genre cinema.
This episode introduces a bracket-style competition to determine the most mad cinematic characters, featuring 32 contenders over several weeks.
Byron and Kelly review Sam Raimi's Send Help.
The host gives Sarah Gamm a longer briefing than usual.
This episode of Cinema Autopsy discusses the horror film 'Leprechaun' in the context of St.
This episode features an interview with filmmaker Brandon Christensen discussing his new horror film 'Bodycam', a found footage buddy cop movie available on Shudder.
Rockefeller Center room 3603 is tied to British Security Coordination, the OSS, and Alan Dulles.
The hosts review the horror film 'Night of the Reaper' by Brandon Christensen, discussing its themes of suburban secrets, VHS aesthetics, and elements like skull masks and the criminal justice system.
This episode explores alleged prophecies and warnings about the 9/11 attacks, examining whether some people genuinely foresaw the tragedy or were just finding patterns after the fact.
The host Byron and guest Kelly discuss the film '28 Years Later' by Danny Boyle, exploring themes of coming of age, mortality, and societal pressures, with tangents on giraffes and sleep.