Nicodemus, difficult conversations, and a sermon about courage under scrutiny.
Dear Padre treats Nicodemus as a study in the conversations people dodge, from money to fear to the risk of being seen. It opens with Esther and Bishop K.

Pastoral reflection for a Good Friday world.
Dear Padre turns Sunday readings into pastoral commentary on resurrection, suffering, authority, shame, and hope. Its sermons move from Episcopal worship and biblical scenes into skating rinks, Army counseling, marathons, food banks, and family memories.
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Dear Padre is a Christian reflection show built around sermon-length meditations on scripture, worship, and the moral pressure of ordinary life. It is warm, but not soft. The speaker often begins with a Gospel reading or church season, then lets the passage widen into personal memory, pastoral concern, and cultural observation. Easter becomes a way to speak about death, funerals, childhood loss, and the fragile belief that resurrection is more than a seasonal word. Maundy Thursday becomes a test of leadership. Foot washing is not treated as a quaint ritual, but as a picture of authority that gets its hands dirty before it presides at the table. Palm Sunday moves from celebration to desperation, turning Hosanna into a human cry for rescue. Nicodemus becomes a figure for the conversations people avoid until night, when reputation, fear, and longing start telling the truth. The Samaritan woman is approached with care, with her relational history named but not made into the most important thing about her. A healing story lingers over parents, a grown son, dependence, and the intimate distance between a newborn child and a mother's face. The wilderness temptation is read through depletion, running, injury, shame, and the old lie that a person is not who God says they are. The show is openly Episcopal in its references to Eucharist, Sunday resurrection worship, parish life, and Holy Week practice. It is also shaped by Army chaplaincy, war memory, counseling, veterans, and the speaker's habit of translating theology through embodied experience. Its humor is modest and self-aware. Its gravity is real. Death, institutional failure, food insecurity, suffering, and spiritual despair are not treated as abstractions. They become the terrain where Christian hope has to prove its weight. Dear Padre is most compelling when it refuses easy answers while still speaking from conviction. The Bible here is not a puzzle box for clever interpretation. It is a living frame for grief, courage, authority, and love. Listeners looking for tidy inspiration may find it too searching. Listeners drawn to pastoral reflection with theological backbone will find a show that keeps circling the same hard claim: Good Friday is real, but it is not final.
Made for: For listeners drawn to Christian reflection, Episcopal worship, sermon craft, and faith that speaks honestly about grief, shame, institutions, and hope. It especially suits people who want theology grounded in lived experience rather than detached commentary.
What sets it apart: Dear Padre stands apart through its blend of Army chaplain memory, Episcopal sacramental life, and candid personal storytelling. It turns biblical passages into pastoral field notes on bodies, families, leadership, suffering, and resurrection.
When I was an Army chaplain, my soldiers asked me all kinds of wild questions. They also called me “Padre.”
Based on 6 episodes we listened to · September 2026
Dear Padre pairs close biblical teaching with candid reflections on suffering, forgiveness, institutional religion, and the stubborn practice of hope.
Dear Padre turns biblical passages into sermons that keep one foot in church tradition and the other in ordinary strain. The host moves from Nicodemus, Lazarus, and the Beatitudes to difficult conversations, forgiveness, poverty, and institutional failure.
A kilt opens the sermon; your comfortable faith may need to find another seat.
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Short reviews from the PlayNext desk, based on the episodes we processed.
Nicodemus, difficult conversations, and a sermon about courage under scrutiny.
Dear Padre treats Nicodemus as a study in the conversations people dodge, from money to fear to the risk of being seen. It opens with Esther and Bishop K.
A wide-ranging sermon that ties grief, institutions, and resurrection hope into one steady argument.
This sermon threads Army Chapel memories into a Celtic Highland Festival service in Salado, then moves through remembrance, food bank strain, and Luke 20 as part of one account of public and private life.
Sainthood appears where worldly signs of blessing fall away.
Come As You Aren't treats All Saints as a pressure test for easy ideas about blessing. At St. Isidore's Common Feast in Spring, Texas, the host starts with the feast's uneasy fit in a Protestant frame: unlike Christmas or Easter, it does not rest on a single Bible story.
A grounded reflection on forgiveness as honest, difficult work in the presence of real harm.
Forgiveness takes shape through a surprising set of images: trees, roots, rocky soil, and the stubborn places where a crop cannot take hold. The host begins with plants Jesus mentions and with his own fascination with trees that can outlast a human life, then moves toward harms…
An un-crossed gulf becomes a searching reflection on friendship, responsibility, and faith after apparent endings.
Friendship, moral blindness, and the stubborn possibility of hope shape "Laz," a reflective episode that moves from Jesus' friends in Bethany to Lazarus and the rich man, then back toward ordinary obligations.
A Christmas sermon reads Joseph's restraint as a lesson in righteousness, anger, and male fragility.
Joseph's Christmas story is read here as a lesson in restraint, righteousness, and the fragile pride that can wreck a holy moment. The sermon keeps Joseph's predicament in view: the temptation to make a public case, prove innocence, and divide the scene into victim and villain…
A Joan of Arc sermon considers prayer when testimony is rejected, healing stays unfinished, and hope still has to be carried.
Dear Padre's live sermon for St. Joan of Arc Day frames prayer as something that can survive trauma, disbelief, and forms of healing that refuse a clean success story.

Two Bible translators unpack Scripture's hardest passages, from Revelation's 666 to the Witch of Endor.
Live sermons with Easter-shaped urgency.



Urgent Baptist preaching from the church pulpit.

This episode explores a biblical passage from 2 Samuel where King David questions why he lives in a cedar house while God's ark remains in a tent, prompting a divine response through the prophet Nathan.
The host, a former army chaplain, reflects on the assassination attempt on former President Trump, expresses gratitude for the Secret Service, and shares a Bible reading from the Gospel of Mark.
A former army chaplain explores a passage from the Gospel of Mark where Jesus addresses accusations of demonic possession and teaches about spiritual conflict and forgiveness.
An army chaplain delivers a live sermon on St.
A former Army chaplain delivers a sermon titled 'How Not to Ruin Christmas This Year,' focusing on men by examining Joseph from the Gospel of Matthew.
This episode reflects on the Christian celebration of the resurrection every Sunday, sparked by a personal anecdote about a skating rink inventing the term 'Good Monday' for Easter Monday.
This episode explores the significance of the Last Supper in the Gospels, contrasting John's account of foot washing with the Eucharist in Matthew, Mark, and Luke, and reflecting on its meaning for Christian leadership and Maundy Thursday.
This episode explores the emotional contrasts of Palm Sunday and Holy Week, encouraging listeners to identify with different characters in the biblical story as a way to deepen their understanding and connection to Jesus's journey.
This episode explores a Gospel story about a blind beggar and his parents, reflecting on how the narrative genre and the intimate 18-inch distance between a mother and newborn reveal deeper spiritual and relational insights.
This episode explores the biblical conversation between Jesus and the Samaritan woman at the well, focusing on its lessons about worship and God's expectations.
The sermon opens with the question of hard conversations.
He opens with Army Chapel and the questions soldiers used to bring him about God, life, relationships, and the Bible.
Dear Padre uses Halloween costumes and the Texas Renaissance Festival motto “come as you aren’t” to frame All Saints as a contrast between outward personas and inner identity.
The host starts with trees.
Dear Padre’s “Laz” examines Jesus’ friendship with Mary, Martha, and Lazarus through the parable of Lazarus and the rich man.
A former army chaplain reflects on the biblical prophet Jeremiah's lament over Jerusalem's destruction and connects it to broader themes of suffering and spiritual questioning.