The Thing About the Salem Witch Trials · Josh Hutchinson and Sarah Jack

Magic in the Courtroom: The Story of Candy, A Woman Accused of Witchcraft in 1692

February 15, 2026·10 min·1 clip

Discover Candy, an enslaved woman from Barbados whose witchcraft confession changed the Salem trials.

This episode focuses on Candy, an enslaved woman from Barbados tried for witchcraft in Salem, whose courtroom examination introduced unique elements. Hosts Josh Hutchinson and Sarah Jack explore this lesser-known figure from the 1692 trials. The narrative contrasts Candy's story with the more famous enslaved woman, Tituba. John Putnam Jr. and Thomas Putnam filed a complaint on July 1st against Candy and her owner, Margaret Hawks, for afflicting Ann Putnam Jr., Mary Walcott, and Mary Warren. Magistrates Bartholomew Gedney and John Hathorne examined Candy on July 4th, with Reverend Nicholas Noyes present. The court records describe Candy as "Negro," while Tituba was recorded as "Indian" or "Spanish Indian." Both Candy and her enslaver, Margaret Hawks, were described as "late of Barbados," having made the Atlantic crossing together. Candy ultimately confessed to witchcraft during her proceeding. Her confession, however, unfolded on terms that differed from others. The hosts detail how Candy's confession involved a specific demonstration of her alleged magic using physical materials like rags. She reportedly showed the magistrates how she used these items to harm the afflicted girls. This tangible, performative aspect made her courtroom examination particularly notable. The episode suggests Candy's approach may have been a strategic form of resistance or survival. It highlights the power dynamics at play when an enslaved person navigates a corrupt legal system. The tone is educational and narrative, weaving historical record with thoughtful analysis. The style is conversational between the two hosts, who guide the listener through the archival details. History enthusiasts interested in overlooked perspectives from the Salem witch trials would appreciate this deep dive. Listeners seeking a dramatic, fully sound-designed historical reenactment might find the episode more straightforward.

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