The New Yorker: Fiction · The New Yorker

George Saunders Reads Claire Keegan

July 1, 2023·1 hr 11 min·5 clips
George Saunders reveals how Claire Keegan's story withholds its central truth to mirror the character's denial.
Deborah Treisman hosts George Saunders to discuss Claire Keegan's story 'So Late in the Day,' exploring its themes of misogyny, tension, and character complexity. Saunders analyzes how Keegan withholds information to mirror the protagonist's denial and highlights key scenes that reveal his internal struggles. The conversation delves into the story's structure, its Chekhovian influences, and the nuanced portrayal of relationships.

As heard by us

Saunders reads Keegan with quiet force, letting one conversation expose the habits Cahill has never had to examine.

George Saunders's reading of Clare Keegan's "So Late in the Day" gives a quiet scene the charge of reckoning. Cahill is not confronted by spectacle but by an ordinary question, pressed across a table: what does he want from women? His answer, or lack of one, is the damage.

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