Roar: The Most Dangerous Movie Ever Made?

April 7, 2026·42 min·3 clips

During Roar's filming, lions attacked crew members, with one scalping cinematographer Jan de Bont, requiring 220 stitches.

Checks and balances start the argument. One host compares filmmaking power to the three branches of government, and the other immediately pokes holes in it with Clint Eastwood and a Herbie the Love Bug joke. So the theory bit does not stay tidy for long. The point underneath it is sharper: things get messy when one person has that much control and the hosts think that person does not have the talent to carry it. Melanie Griffith spots the trouble early. She tells her mom she does not want to come out of the movie with "half a face," backs out, and a friend takes over. That friend, Patsy Nett, later becomes an award-winning Foley artist, which is the kind of odd side note this story seems built to produce. Then Griffith comes back anyway. Her return means the production has to reshoot her scenes, and the money problem keeps getting louder. The hosts stress that this is real film stock, not SD cards, so every stretch of rolling camera costs something. The animals make it worse because the crew cannot simply call the shot and move on. They have to wait around until something interesting happens. The conversation stays loose, with one host trying to move past the writer-director-actor fight while the other keeps stirring it because the disagreement is too fun to drop. But the details carry it: reshoots, untrained cats, expensive stock, and wobbly control. The danger does not land as one neat incident. It feels more like a bad setup that kept finding new ways to get worse.

As heard by us

A mild argument about creative accountability holds together one of Hollywood's messier production histories.

The episode runs on a low-key argument: when a film's writer, director, and actor are the same person, is that structural failure or a talent problem? One host reaches for the three branches of government; the other cites Clint Eastwood; nobody wins.

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Why you'd press play

The film Melanie Griffith quit -- she told her mother she feared coming out with half her face.

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